| The aims of the trust are to bring the City
of Adelaide back to the river Wear where she was built. Once this is
achieved it is intended that she be restored and exhibited as part of a
maritime museum. The museum is intended to show the history of ship
building on the Wear, and will hopefully house artefacts and
pictures from other ships, and shipbuilding yards which were once the
mainstay of the area. The demise of the river as one the major
shipbuilding areas of the world has seen the loss of many skills allied to
shipbuilding, within the local area. It is intended that the restoration
work will re-kindle some of these skills, and allied with a programme of
training, will allow these skills to be passed on to some of the younger
people in the area.It is also intended that the ship, and associated
museum, be used as an educational aid, which will enable future
generations to see and experience, the sights, sounds, and sense of
history, within which the forebears lived and worked. The painting below
was done in 2001 by C. Baxtor in order to show how the ship could look
once restored.
The
750 mile voyage from the Clyde to the Wear could not be made with any
degree of safety with the ship being towed "on her own bottom". The vessel
has no watertight compartments, and if she were to be holed by, for
example, a semi-submerged container, she would founder. She must therefore
be transported on a towed barge or pontoon, which can be submerged under
her, and pumped out to lift her clear of the water. To reach a site to
allow this to happen , though, she needs to be towed about two miles down
the River Irvine, to open water. This will entail jacking the vessel up a
small amount to effect repairs to the cradle and rails, sealing the holes
in the hull below and up to one metre above the waterline, and fitting
pumps. A hard-core bund at the end of the slipway will have to be removed,
and a channel dredged. SMH has been in contact with Mr. John Cleator, of
Marine Consultants International (UK) Ltd., who has great experience of
lifting and towage operations. He is currently in the process of
identifying a barge suitable for 'City of Adelaide' and may well have
found one belonging to the MOD, about to be sold at auction. Towing around
the North of Scotland should obviously not be attempted in the winter
months.
Where?
Sunderland Maritime Heritage believe that the ideal long-term site for the
vessel is in the dry-dock at the bottom of Pann's Bank. This is in the
heart of Sunderland, on the south-side of the river Wear and just below
the Wearmouth Bridge.
This was previously the site of Austin's yard. The vessel
would be highly visible to thousands of people everyday. Adjacent to this
site is a space which could be utilised for a visitor centre, museum, and
other facilities, as well as visitor parking. The site is near St Mary's
Car Park and a new Metro station, and is virtually opposite the original
yard in which she was built.
The dock has not been operational for some time but has
recently been surveyed at the request of Sunderland Maritime Heritage by
Messrs WSP of Gateshead and found essentially to be in good order. A very
major decision which will have to be made concerns the type of gate, if
any, to be fitted to the dock. The vessel could be put in the dock and
sealed in with a wall (ie. a 'permanent dry-dock' as is used for The Cutty
Sark). Alternatives include working dock gates, a caisson barrier, or a
shutter which would need to be lifted out by crane. These alternatives
would allow her to be floated out as required, which would enable her to
be brought out into the river to be turned around, to ensure an equal
degree of weathering on each side, or even to be put on her pontoon
transportation further afield. If she is made watertight, preservation of
the hull may be more assured if she were to be floating.

The cost of new gates has been estimated to be in the
region of £1m. The cost of a shutter has been estimated at £0.5m. The dock
needs to be dredged and samples taken to ascertain the presence, or
otherwise, of toxic industrial compounds. Should these exist, safe
disposal of the dredgings will be necessary.
In the short term it may be more practical to put the
vessel in an alternative position perhaps in the South Dock, should that
be available, for initial restoration work. She could even be kept on her
floating pontoon until the permanent berth is ready and secure.
How?
This project cannot take place without the whole-hearted,
long-term support of the people of Sunderland, and Sunderland City
Council, in particular. Immediate substantial funding is required. The
Council has offered help, advice and support to SMH. We are grateful to
Sunderland City Council for the agreement of our proposed use of the
dry-dock and surrounding area as described, known as Pann's Bank. We are
and will be in the process of making applications to whatever other
sources of funding as may be available.
Restoration of the dock has been estimated to cost in
excess of £1,000,000. The building of adjacent structures in keeping with
the grandeur of the vessel will not be cheap.
The cost of acquisition of the vessel which would include
legal costs and possibly some contribution to the debt she has incurred,
needs also to include the cost of a 2-3 day dredging operation to allow
her to reach open water. Mr. Fred Walker has estimated subsequent costs as
follows:
| Item. |
Cost. |
Temporary hull repairs
Repairs to cradle
Re-launching
Movement to Sunderland |
£460,000 |
Hull and deck timber
Fastenings, copper,
etc |
£653,000 |
| Ironwork |
£910,000 |
| Outfitting |
£920,000 |
| Masts, spars, and rig |
£1,050,000 |
| Labour |
£1,600,000 |
| Sub-total |
£5,593,000 |
| Contingency of
7.5% |
£419,000 |
| TOTAL |
£6,012,000 |
These costs exclude the costs of workshop and office
premises, and the administration and publicity aspects of the exercise,
which will have to be put in place at early stage. The more obvious
potential sources of funding are the Heritage Lottery Fund, the European
Regional Development Fund, various other Regional funding bodies and
hopefully local business interests. Other possible sources are the
shipping industry, and Australian sympathisers, either Governmental,
corporate, or individual.
As a guide we would consider the project viable if we can
attract £2.5 million very soon, with the reasonable prospect of receiving
a further £5 million over a subsequent 5-year period.
Why?
Sentimental nostalgia is not an effective long-term
driving force and it is important to be objective about what the vessel
is, what she represents, and what she can achieve for the people of
Sunderland and elsewhere.
She is herself a thing of beauty, and an antique, so is
inherently valuable. She is an important and inspiring symbol of
Sunderland's 600 year history of shipbuilding, not only the sole survivor
of ships built by William Pile, a recognised high quality, innovative
builder, but the only survivor of the huge number of sailing vessels built
in the North East in the nineteenth century. She is of major historical
importance, and of national importance specifically to Britain and to
Australia. She is one of 46 vessels listed in the Core Collection
identified by the National Historic Ships Committee, which reported in
February 2001. She is the only Core Collection vessel not restored, or
under active restoration.
She is unique as the last remaining example of a
composite-built passenger sailing ship, the world's oldest composite
ship, and Britain's oldest clipper ship. She is of World Heritage
standing. In terms of the number of peoples' lives she influenced, both
directly and indirectly through the subsequent generations descended from
her passengers, she is more important than 'Cutty Sark', which has been
visited by more than twelve million people.
She can provide opportunities for people in many ways, the
key being involvement. The restoration project, although supervised by a
professional workforce, could include contributions from volunteers from
within the region and from far afield, hopefully including Australia.
Residential 'holidays' could be organised similar to those run by the
Jubilee Sailing Trust in the building of their latest ship 'Tenacious',
much of the work on that project being carried out by disabled
people.
Formal training placements could be offered for
woodworking, metalworking, and rigging skills. Educational and research
opportunities exist from the earliest stage of the project, to the distant
future.
For Sunderland as a whole she will be the focus of local
pride and a highly visible and popular tourist attraction, with the
potential for contributing greatly to other forms of commerce through
identification with the ship. Ships such as this provided the only link
between continents 150 years ago. 'City of Adelaide' can still provide
links: firstly, between the people of the region and their history in the
awe-inspiring industry of shipbuilding; secondly, between people of the
present in different parts of the globe, because of her influence in the
past, and the interest she raises now; and finally she can link the
present with the future, by inspiring the vision.

The image above
is a computer generated image of how she would
look in the dry-dock at the
bottom of Pann's Bank.
Sustainability.
No-one could guarantee the long-term sustainability of any
project such as this; however, we feel that this project contains so many
meaningful ingredients when applied to this part of the world, that it is
as likely to succeed in the long term, as any similar venture. The most
important aspect is the huge population base of the region, a large
proportion of which will identify with this product of local industry.
Communications and access to her proposed site are very good, with a good
road network and the position of the new Metro station. The National Glass
Centre, and the expanding and popular City Centre, are bound to attract
more tourism in the future. The historical importance of the ship and her
local, national and international significance (see below) are bound to
appeal widely. We consider this project to be potentially a major asset to
both Sunderland, and the Northeast region.
Thanks to Brian Walker and Tom Taylor for
use of images on this page.

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